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Wenge cabinets, Egyptian limestone countertops, and copper Artichoke lamps combine elegance and modern informality in the kitchen. The front of the house is more traditional in style than the rear, where large commercial windows offer a view of the backyard. See more photos in the gallery below.
Opposites attract, which can create some intriguing compromises on the home front. “My husband wanted to live in a stainless-steel-and-concrete number, and I wanted an old landmark building with creaky floors,” says a banker-turned-stay-at-home-mom who grew up in Evanston, in a house from the 1860s. “So I said, ‘What if we find an old place and restore the outside, then gut the inside?’ Then we’d both get some of what we wanted.”
The idea appealed to her husband, who works in West Town, so a search ensued for an old house close to his office. After many near misses, their real-estate agent e-mailed them a listing for a once-elegant, now-dilapidated Italianate on a double lot. “I knew immediately it was the one,” the wife says. They put an offer on it within two weeks.
The house, in the center of the Wicker Park Historic Landmark District, had been converted at some point into a two-flat and was, frankly, a wreck; a rundown garage didn’t help matters. The location meant the street-side façade of the house had to remain the same—a problem for architects Julie Fisher and Rachel Crowl of fcStudio, who have done several projects like this in the district. “We add the modern interventions at the rear and inside,” Crowl says.
The couple’s needs and aesthetic disparities added another layer of challenges. The wife agreed to turn the back porch into a sleek addition, have the garage rebuilt, and give the yard a makeover. But inside, she wanted gracious architectural detailing and “real rooms.” The husband was hoping for loftlike openness, though with a home office that provided both privacy and access to the family action.
The architects used three gestures inside to achieve these goals. First, custom-milled architectural trim on all walls, doors, windows, and the new main staircase pay homage to both styles. These elements “have the grand scale of their traditional counterparts but are cleaner and more modern, so they feel lighter,” Crowl says.
Next, the open layout for the first floor is supremely flexible. Except for the kitchen—an Italian affair that is both stately for her and sleek for him—all the spaces are transmutable, their functions determined by furnishings, which can change, rather than by architecture. “We use the front space for a formal living room and family area, but it could also be a formal dining room,” points out the wife.
Finally, the architects outlined the home office with frosted glass sliding doors so it could be closed off when necessary for privacy and quiet. It could also serve as a guest room or craft area in the future. Or not. “It took us three years to get to this point, and it’s finally perfect for us and our daughter,” says the wife. “We don’t want to change a thing.”
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