Tour De Play
How are companies like the Hypocrites and House Theatre engaging audiences for 12 hours at a time? Chicago takes a look at binge-watching theater.
For the first time since selling controlling interest to Ticketmaster/Live Nation, Lollapalooza boss Charles Attal last week went on-record with the media—and longtime Lolla watchdog Jim DeRogatis has some harsh words for the journalist who interviewed him.
While we’re on the topic of DeRo’s two main beats, how about another look into R. Kelly’s myriad sexual assault allegations? The Washington Post looks at protests surrounding his Free Press Summer Fest slot.
After Tribune theater critic Chris Jones panned Steppenwolf for Young Adults’ This Is Modern Art as a “romantic ode” to graffiti, co-author Kevin Coval slammed the critic for failing to engage with Chicago’s marginalized youth. WBEZ hosts the pair with SYA artistic director Hallie Gordon in an on-air debate.
As Chicagoans took their sweethearts on dates over Valentine’s Day weekend, the Mad Mobster True Crime & Horror Expo tore through the downtown Hilton. The Reader wades into the city’s goriest convention.
Renters, beware: Chicago landlords know that the Deadheads descend on July 4th weekend, and with legitimate Airbnb rentals nearly sold out, the Chicagoland Apartment Association is policing hard. The Tribune dives in.
From Friends to Empire, Rockit Ranch CEO Billy Dec’s IMDb pages keeps growing. Chicago asks the restaurateur about his budding acting career.
Review Revue: Hammer Trinity
The House Theatre’s nine-hour, seven-act trilogy opened last week to many a critical bear hug:
Newcity: “It is…nothing short of stunning.”
Chicago Tribune: “…despite the high-minded meditations on narrative and its discontents, this is still a House show, replete with the high-octane theatricality that they do best.”
Chicago Reader: “I had no clue what was going on for long stretches, yet…I found it both thrilling and thought-provoking.”
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