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Chicago Magazine
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Tag: Theater

Alexis J. Rogers Makes a Great Billie Holiday
By Catey Sullivan
in a new musical, Porchlight Theater tells the story of the brilliant but tragic American icon. Read more
The C Notes Power List: Theatre’s Scene Stealers
By Emmet Sullivan and Elly Fishman
We’ve already recognized the 100 Most Powerful Chicagoans, but now C Notes dives into who is influencing the different cultural scenes in the city. Read more
Review: Victory Gardens’ ‘Disconnect’ Needs to be Unplugged and Rebooted
By Catey Sullivan
It’s hard to connect to this play about an Indian call center. Read more
Welcome to Pinterland: ‘The Birthday Party’ is Dysfunctional, Dystopian, and Deliciously Disturbing
By Catey Sullivan
The new drama at Steppenwolf is as disturbing as it is intriguing. Read more
Review: ‘Other Desert Cities’ Doles Out Tepid Family Trauma
By Catey Sullivan
The Goodman’s swing at the Tony Award-winning show is a fine play getting a less-than-stellar production. Read more
Review: ‘American Wee-Pie’ a Sweet Take on Mid-Life Reinvention
By Catey Sullivan
Lisa Dillman’s new play at the Rivendell Theatre centers on midlife ruts and the leap of faith it takes to hoist oneself out of them. Read more
C Chats: ‘Other Desert Cities’ Gives Us Deanna Dunagan On Stage Again (Which is All We Want)
By Elly Fishman and Emmet Sullivan
Deanna Dunagan, of August: Osage County fame, returns to the stage in the Goodman Theatre’s production of the award-winning drama Other Desert Cities. Read more
Review: ‘The Glass Menagerie’ Will Break Your Fragile Heart
By Catey Sullivan
The inspired new staging of Tennessee Williams’s classic tale of the tragic Wingfield family continues at the Mary Arrchie Theatre. Read more
Review: ‘The Motherfucker with the Hat’ Entertains but Fails to Dig Deep
By Catey Sullivan
The hilarious new Steppenwolf production, starring Jimmy Smits, only scratches the surface of addiction and adultery. Read more
A Second City… Opera? With Patrick Stewart?
By Graham Meyer
The comedy troupe’s new show, staged at the Civic Opera House and pairing the legendary actor with Renée Fleming, is either a disaster waiting to happen—or genius. Read more
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