Edit Module
Edit Module
Edit Module

Three Questions for…

We chat with stage and screen vet Mike Nussbaum

Mike Nussbaum, the 84-year-old stage and screen vet who co-wrote and directs Dashiell Hamlet, a tongue-twisting take on the prince of Denmark in the hard-boiled style of Dashiell Hammett

Q: What makes Hamlet suitable for the dark-and-stormy-night treatment?
A: It has such a macabre heart. Doing it in the style of a film noir gave us all kinds of opportunities to capture that. Elsinore, Hamlet’s castle, is Majestic Studios. We made [Hamlet’s best friend] Horatio a private eye. We’ve based Rosen­crantz and Guildenstern’s characters on Burns and Allen. And there’s a whole scene right out of Double Indemnity.    

Q: Is the plot basically the same, with almost everybody dead at the end, bodies stacked up like cordwood?
A: We changed the ending. It’s even more tragic now. Film noir generally ends with the mystery being solved, but the people involved have been damaged beyond repair. Getting to the bottom of things doesn’t solve their problems.

Q: What about the girl? Who’s the dame in this sordid business?
A: We’ve [nearly] made Ophelia into a heroin addict.

Sep 12–Oct 26. Fri, Sat at 8; Sun at 3. $18-$25. City Lit Theater, 1020 W Bryn Mawr. 773-293-3682.

Photography: Andreas Larsson


Edit Module


Edit Module
Submit your comment

Comments are moderated. We review them in an effort to remove foul language, commercial messages, abuse, and irrelevancies.

Edit Module