I'm in Italy. The weather is perfect. The wine is flowing. The food is, well, so-so. But that may be because we're in Venice. As far as I can tell, this isn't a city known for its culinary delights. It's known for its art.
That is, after all, why we're here.
To catch you up, I'm traveling in Europe for the next few weeks with the man friend and two artists, and the latter couple is dead set on seeing the Venice Biennale. I agreed to devote...
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I'm in Italy. The weather is perfect. The wine is flowing. The food is, well, so-so. But that may be because we're in Venice. As far as I can tell, this isn't a city known for its culinary delights. It's known for its art.
That is, after all, why we're here.
To catch you up, I'm traveling in Europe for the next few weeks with the man friend and two artists, and the latter couple is dead set on seeing the Venice Biennale. I agreed to devote...
" />
I'm in Italy. The weather is perfect. The wine is flowing. The food is, well, so-so. But that may be because we're in Venice. As far as I can tell, this isn't a city known for its culinary delights. It's known for its art.
That is, after all, why we're here.
To catch you up, I'm traveling in Europe for the next few weeks with the man friend and two artists, and the latter couple is dead set on seeing the Venice Biennale. I agreed to devote...
" />
I’m in Italy. The weather is perfect. The wine is flowing. The food is, well, so-so. But that may be because we’re in Venice. As far as I can tell, this isn’t a city known for its culinary delights. It’s known for its art.
That is, after all, why we’re here.
To catch you up, I’m traveling in Europe for the next few weeks with the man friend and two artists, and the latter couple is dead set on seeing the Venice Biennale. I agreed to devote…
If the Slipper Fits Redmoon can take almost any idea and make it avant-garde. The troupe strikes again with The Princess Club, a modern examination of female-fronted fairy tales (Rapunzel, Cinderella, Sleeping Beauty) that combines physical comedy, spectacular costuming, puppetry, and a hip-hop runway. One word of caution (or titillation): Although it was inspired by … Read more
Wake up, Chicago. One of the country’s most exciting new music ensembles wants some respect from its hometown.
There’s a new radio station in town—sort of.
It was a weekend of high culture: a lovely wedding in Grant Park (not mine) and a fabulous CSO performance in Millennium Park that featured Savion Glover tapping the Duke Ellington suite, River. It was also a weekend of rock culture: the ever-so-awesome Hideout Block Party. My only gripe: The sound for Brit band Bloc Party (who played the Block Party) was pretty weak; having seen them a few months ago at the Congress, I can attest what a strong live band they are. That didn’t so much come across, but, heck, it was still great.
Now I’m off to Europe for a three-week sejour in Italy and France. Check back for…
Bright spots on the month’s cultural calendar
Lunched yesterday with Jason Palmquist, the new executive director of Hubbard Street Dance Chicago. He joked about having successfully survived his first 100 days at the helm of the contemporary dance company, a Chicago institution that has, of late, been rocked with major changes (the departures of its longtime executive director and second company directors, retiring dancers, etc).
Arts administrators are an interesting bunch (and, no, that’s not a joke). The successful ones are fluent in the language of balance sheets and budgets; but they have to speak a creative language too. It looks like Palmquist has the background required to do both:…
Victoria Lautman chats with Edwidge Danticat.
Bright spots on the month’s cultural calendar
Wilmette-born playwright Sarah Ruhl writes a dark new play.
