Direct Hit
What inspires Wicker Park filmmaker Malik Bader’s neo-noir movies? Chicago’s gritty underbelly.
What inspires Wicker Park filmmaker Malik Bader’s neo-noir movies? Chicago’s gritty underbelly.
In turning their living rooms into exhibition spaces, some young entrepreneurs are bridging the gap between elite West Loop galleries and the emerging art scene. “It forces me to mop more,” says Katie Rashid, explaining the downside of opening an art gallery in her apartment. The upside? For an aspiring gallerist with an eye for talent: a business opportunity—plus an excuse to throw some of the best parties in town.
When Nathan Englander published his first collection of short stories (For the Relief of Unbearable Urges), in 1999, he drew comparisons to Roth, Bellow, and Joyce. Here was a young (age: 29) unknown, a former yeshiva-educated Orthodox Jew who had abandoned his religious training even while mining it with literary flair, and he had reportedly snared a rare six-figure advance. Fans salivated and clamored for a novel; eight years later, The Ministry of Special Cases is worth the wait. Set in 1976 during Argentina’s “Dirty War,” the novel tells of one family’s Kafkaesque nightmare, through Englander’s unique combination of pathos, humor, and intelligence. Victoria Lautman chats with Englander.
An update on Chicago’s number-one-with-a-bullet band, Fall Out Boy, and some of its protégés
Ilene Cooper pens an unauthorized bio for tweens.
Andrew Bird’s brand of musical esoterica takes off.
Victoria Lautman chats with Anne Lamott. PLUS: Critical Mass
News, reviews, and hot tips for March
Q&A with author and former Chicagoan Joshua Ferris, who tackles office minutiae in his debut novel
If you don’t experience enough April showers this month, take a trip to the Art Institute of Chicago to see one of the museum’s most enduringly popular paintings: Paris Street; Rainy Day.